Janet Passehl

WORKS

Blue Flowers I, II, III

Blue Flowers I, II, III, 2018
Stoff, Aluminium und Faden / Cloth, aluminium and thread
Größe variiert / Size varies

Untitled

Untitled, 2018
Wasserfarbe auf Papier / Watercolor on paper
76 x 56 cm

Dark Meal House

Dark Meal House, 2010
Gebügelte Baumwolle / Ironed cotton
45,8 x 41,9 x 0,3 cm

Modern house, crazy sky

Modern house, crazy sky, 2012
Prismacolor Stift und Grafitstift auf Papier / Prismacolor pencil and graphite pencil on paper
55,9 x 76,2 cm

Untitled (first green)

o. T. (first green), 2018
Aquarell auf Papier / Watercolor on paper
56 x 76 cm

Dark Meal House, 2010
Gebügelte Baumwolle / Ironed cotton
45,8 x 41,9 x 0,3 cm

EXHIBITIONS

BIOGRAPHY

Janet Passehl Website

 

1959 geboren in / born in Braintree, MA (USA)

lebt und arbeitet in New York und Essex / lives and works in New York and Essex

 

Einzelausstellungen / Solo Shows (Auswahl / Selection)

2019
Janet Passehl | Howard Smith, Thomas Rehbein Galerie, Köln

2006
Wandering Through Walls, Hamden Hall Country Day School, Hamden, CT (USA)

2003
Grain, Housatonic Museum of Art, Bridgeport, CT (USA)

2001
Cloth, Central University Galleries, Central Connecticut State University, New Britain, CT (USA)

1996
Galleri Sævars Karls, Reykjavik (ISL)

1993
Gangurinn/The Corridor, Reykjavik (ISL)

 

Gruppenausstellungen / Group Shows (Auswahl / Selection)

2022
Allegro/Adagio, Tibaldi Arte Contemporanea, Rome (IT)

2021
11 Women of Spirit, Part 4, Zürcher Gallery, New York (USA)
Le Feuilleton: I Will Bear Witness, Spoleto (IT)

2017
Appearances mit / with Patrick Carrara, ODETTA, Brooklyn, New York, NY (USA)
Flatfile installation, ODETTA, Brooklyn, New York, NY (USA)

2016
Modi des Minimierens, Galerie Gisela Clement, Bonn

2014
SCHWARZ mit / with Kirstin Arndt, Charlotte Posenenske und Michael Reiter; kuratiert von / curated by Burkhard Brunn, Thomas Rehbein Galerie, Köln
A Particular Kind of Solitude, Elizabeth Street Garden, New York, NY (USA)

2013
Kunst & Textil, Stoff als Material und Idee in der Moderne von Klimt bis heute, Kunstmuseum Wolfsburg, Wolfsburg / Staatsgalerie Stuttgart, Stuttgart

2012
The Drawing Center Benefit Auction, Haunch-of-Venison, New York, NY (USA)

2011
Extended Drawing, Tegnerforbundet, Oslo (NOR)
A Place Which We Can Come, St. Cecilia Convent, Brooklyn, New York, NY (USA)

2010
The Jewel Thief kuratiert von / curated by Jessica Stockholder und / and Ian Berry, Francis Young Tang Teaching Museum and Art Gallery, Saratoga Springs, NY (USA)
On Paper, Stalke Galleri, Kirke Saaby (DK)
InVisible mit / with Uta Barth, Karin Sander, u.a. / and others, Massachusetts Museum of Contemporary Art (Mass MoCA), North Adams, MA (USA)

2009
One, Stalke Up North, Kopenhagen (DK)
Apparently Invisible, Selections, Spring 2009, The Drawing Center, New York, NY (USA)
One more mit / with Anastasi, Andre, Bradshaw, Barry, Highstein, Nonas, Ryman, Wagner, u. a. / others, Thomas Rehbein, Köln

2008
Winter Salon, Björn Ressle, New York, NY (USA)
ONE More – In Memoriam: Sol LeWitt, Esbjerg Kunstmuseum, Esbjerg (DK)

2007
Connecticut Contemporary, Wadsworth Atheneum, Hartford, CT (USA)

2006
LeWitt X 2 – Selections From The LeWitt Collection, Madison Museum of Contemporary Art, Madison, WI / Weatherspoon Museum / Austin Museum of Art / Cincinnati Art Museum / Miami Art Museum, Miami, FL (USA)
Twice Drawn, Tang Museum, Saratoga Springs, New York, NY (USA)
Femme-Brut(e) mit / with Graves, Kruger, Neel, Pindell, Saar, u. a. / and others, Lyman Allyn Art Museum, New London, CT
New Acquisitions – Works On Paper, New Britain Museum of American Art, New Britain, CT (USA)

2004
Trace mit / with Beuys, Duchamp, El Hanani, Paine, u. a. / and others, The Rosenwald-Wolf Gallery, University of The Arts, Philadelphia, PA (USA)

2003
Iron Works, Anne Reid Art Gallery, Princeton University, Princeton, NJ (USA) / The Rosenwald-Wolf Gallery, Philadelphia, PA (USA)
Selections from the LeWitt Collection kuratiert von / curated by Sol LeWitt, The New Britain Museum of American Art, New Britain, CT (USA)

2001
Artists’ Collections, Collection Lambert, Avignon (FRA)

2000
The Home Show, The John Slade Ely House, New Haven, CT (USA)
The Corridor, and Reyjavik Art Museum, Reykjavik (ISL)
Rewind/Fast Forward, Gallery Onetwentyeight, New York, NY (USA)

1998
The Curve of Her Spine, Montserrat College of Art, Beverly, MA (USA)
No England, No Amsterdam, Real Art Ways, Hartford, CT (USA)

1997
Cafe December, Gallery Onetwentyeight, New York, NY (USA)
Twister, Real Art Ways, Hartford, CT (USA)
The Curve of Her Spine, Montserrat College of Art, Beverly, MA (USA)
Tabula Rasa, Gallery Onetwentyeight, New York, NY (USA)

1996
Women Draw, Gallery Onetwentyeight, New York, NY (USA)

1995
‘95 Redux, Gallery Onetwentyeight, New York, NY (USA)
Raw Space, Real Art Ways, Hartford, CT (USA)
Personal Assemblages, University Galleries, Central Connecticut State University, New Britain, CT (USA)

1994
Kristinn G. Hardarson and Janet Passehl, Akus Gallery, Eastern Connecticut State University, Willimantic, CT (USA)
About Face, Real Art Ways, Hartford, CT (USA)

1993
Risking Selves, Tribeca 148, New York, NY (USA)
Open Mind: The LeWitt Collection, Wadsworth Atheneum, CT (USA)

1992
Raw Selection, Real Art Ways, Hartford, CT (USA)
National Juried Exhibition, Viridian Gallery, New York, NY (USA)

1991
Open Mind: The LeWitt Collection, Wadsworth Atheneum, Hartford, CT (USA)

1990
New Talent 1990, Washington Art Association, Washington Depot, CT (USA)

 

Sammlungen / Collections

Laurence Miller, Austin, TX (USA)
Agnes Gund, New York, NY (USA)
Allen Memorial Art Museum at Oberlin College, Oberlin, OH (USA)
Stephan Antonakos and Naomi Specter, New York, NY (USA)
Dove Bradshaw and William Anastasi, New York, NY (USA)
Colorado Springs Fine Art Center Museum, Colorado Springs, CO (USA)
Walter Hekster, Amsterdam (NLD)
The Sarah-Ann and Werner H. Kramarsky Collection, New York, NY (USA)
The LeWitt Collection, Chester, CT (USA)
The New Britain Museum of American Art, New Britain, CT (USA)
Agnes and William Peelle, West Hartford, CT (USA)
Privatsammlung, Köln
The Francis Young Tang Teaching Museum and Art Gallery, Saratoga Springs, NY (USA)
Stalke Collection, Kopenhagen (DK)
The Blanton Museum of Art – Gift of the Laurence Miller Family Collection, Austin, TX, (USA)
Alice and Walter Hekster, Amsterdam (NLD)
Eva LeWitt, New York, NY (USA)
The Laurence Miller Family Collection

SELECTED PRESS

Catalogues and Publications
Selection

2014
The Jewel Thief, Ausst.-Kat., the Frances Young Tang Teaching Museum and Art Gallery

2013
Brüderlein, Markus (Hg.): Kunst & Textil – Stoff als Material und Idee in der Moderne von Klimt bis heute, Ausst.-Kat., Kunstmuseum Wolfsburg, Hatje Cantz

2011
Ian Berry / Jack Shear (Hg.): Twice Drawn – Modern and Contemporary Drawings in Context. Buch zur Ausstellung im Francis Young Tang Teaching Museum, Saratoga Springs, 11.03–30.12.2006, DelMonico Books (Prestel), New York, NY (USA)

2008
ONE More – In Memoriam: Sol LeWitt, Esbjerg Museum, Esbjerg

2003
Robbin, Zella / Anastasi, William: Grain, Ausst.- Kat., Housatonic Museum of Art

2001,
Mézil, Éric / La Collection Lambert (Hg.): Collection D’Artistes – Artists’ Collections mit / with Jenny Holzer und / and Louise Lawler

2000
Arnason, Gunnar J.: The Corridor, Ausst.-Kat., Reykjavik Art Museum – Harbour House

1997
O’Brien, Barbara: The Curve of Her Spine, Ausstellungsbroschüre

Artikel / Articles
Auswahl / Selection

Gross, Philip. Love Songs of Carbon. Bloodaxe Books, cover image, 2015

Everett, Percival, ed. Ploughshares. Emerson College, Fall, p. 55 image, 2014

Imdahl, Georg, “One More” bei Thomas Rehbein. Familiär in die Ecke geschmiegt, www.artnet.de, 23.1.2009

Simpson, Joel, Björn Ressle, Winter Salon, M Magazine, January 2009

Rosoff, Patricia, Art New England, June/July 2006

Glueck, Grace, Art Review, New Britain Museum, The New York Times, July 25, 2003

Zella Robbin, ed., and William Anastasi, Grain. Housatonic Museum of Art, 2003

Mézil, Éric, Artists’ Collections, Collection Lambert, 2001, p.176

Fridjonsoon, Helgi, Gangurinn, The Corridor, Reykjavik Art Museum – Harbour House, 2000

O’Brien, Barbara, The Curve of Her Spine, Montserrat College of Art, 1997

Clark, Elisabeth, Imaginative exhibit at Montserrat, Salem Evening News, Feb 13, 1997

Berger, Laurel, In Their Sights, ARTnews, March 1997, p. 96

Porláksson, Eiríkur, Perception and Reference Point, Morgunbla¶i¶, May 11, 1996

Kahn, Robin, Time Capsule/A Concise Encyclopedia by Women Artists, published by Creative Time in cooperation with SOS Int’l, 1995, p. 167

Starger, Steve, Striking Assemblages, Journal Inquirer, February 10, 1995

Schwendenwien, Jude, The Year in Art 1994, The Hartford Courant, January 1, 1995

Starger, Steve, Works using everyday objects form unusual show, Journal Inquirer, October 28, 1994

Raynor, Vivian. A Storefront Exhibition Meant to Nurture the Nontraditional, The New York Times, April 10, 1994

Raynor, Vivian, Artists Otherworldly and Up-and-Coming, The New York Times, January 10, 1993

Schwendenwien, Jude, RAW exhibit full of fun, surprises, The Hartford Courant, January 3, 1993

Jackson, Wendy, New Spaces, New Faces, The Hartford Advocate, September 3, 1992

Schwendenwien, Jude, Artworks Gallery/Hartford Donna Namnoum/Janet Passehl, Art New England, Sept. 1992
Fleischman, Eric, Snap Judgments, The Hartford Advocate, March 22, 1992

Plaganis, Margaret, Pump House Poetry, The Hartford Advocate, March 21, 1991

Schwendenwien, Jude, Artworks Gallery/Hartford, Art New England, December 1990

Schwendenwien, Jude, Show at M.S., Charter Oak galleries show promise for season, The Hartford Courant, September 4, 1988